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Felicity Hammond
Self Publish Be Happy (London)
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The 21st century has seen a dramatic shift in the way that architecture is experienced. Advancements in technology have enabled architectural representation to visualise the built environment through the lens of the virtual, generating digital renderings that depict the future of towns and cities all over the world. Property – the first publication by British artist Felicity Hammond – mines these seemingly perfect worlds, revealing their inaccuracies through collage and cut-out pages. The unwieldy, grimy, littered city doesn’t fit within the glossy dreamscape of contemporary living, made all the more obvious when these surfaces collide. The disregard for the spatial realm in which these visual imaginaries propose to operate is exposed when they are transferred from computer screen to printed matter: the battle between the powerful, speculative image and the city from which it grows are at the forefront of our urban encounters.