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Giovanna Sandri
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Giovanna Sandri deconstructs language into "atomic particles" in this 1969 visual poetry classic. A key female figure in the Italian neo-avant-garde, she replaced typewriters with dry-transfer lettering to strip characters of traditional meaning. This facsimile invites a sensory "game of the eye," blurring the lines between radical literature and visual art through Dadaist-rooted linguistic disruption.